Tag Archives: Photography - Page 2

How to develop black & white film

As my interest in photography progressed, it was only natural I’d one day end up wanting to develop film. I developed my first roll last night by following this guide. It was extremely helpful – but there were a few points it didn’t cover. I made notes while I was developing, and so here’s a modified version of the guide, including my advice.

If you’re interested in seeing what I was able to achieve, some samples are here.

What you’ll need

These are the items in my inventory. I’ve bought “proper” gear where necessary but most of the kitchen-type items came from a supermarket for pennies. I bought the developing tank from eBay, and the same seller was also offering a kit with all the chemicals, listed as Ilford Black & White Film Developer’s pack

  • Developer
  • Stop bath
  • Fixer
  • Wetting agent (cheap washing up liquid will do)
  • A developing tank
  • 3 water bottles – preferably one litre
  • 3 plastic jugs – at least one litre
  • Funnel
  • Kitchen timer (get one with a mechanical knob rather than a digital one)
  • Clothes pegs
  • A place to hang the negatives sufficiently high that they won’t touch the ground
  • A dim light. Colour doesn’t matter- perhaps a torch with half-flat batteries.
  • Scissors
  • Bottle opener
  • Something to stir the chemicals with. I used old picnic cutlery!
  • A storage box for all of the above, with a lid.
  • Room thermometer

    Preparation

    If this is your first time developing a film, there are some things you should do first. You should probably do them before every time you develop a film, even if you’ve been doing it for years :)

  1. Familiarise yourself with how to mix each of the chemicals – how much concentrate to how much water, how much you want to end up with, etc.
  2. Make a note of how much of each chemical your tank requires you to use.
  3. Calculate and make a note of how long each of the three phases should take.
  4. Label each of your empty bottles and jugs with a permanent pen so you know which chemical belongs in which jug.
  5. Loading the film

  6. Take film, bottle opener, scissors, developing tank and reels into a lightproof room.
  7. Organize the materials on a table. You’ll need to know where each item is in the darkness.
  8. Turn off the light.
  9. Open the film canister at either end with the bottle opener.
  10. Take the film out of the canister and cut off the leading tab at the end to create a straight edge.
  11. Load the film onto your tank’s spool. The method varies depending upon your tank, but I found my Paterson System 4 tank easy to use.
  12. Pull or cut the end of the film off the spool and remove the tape.
  13. Drop the loaded reel into the developing tank and secure the lid.
  14. Turn the light back on.
  15. Developing the Film

  16. Mix chemicals according to directions.
  17. Put the right amount of each chemical into the three jugs.
  18. Put any leftover chemicals into the plastic bottles for storage.
  19. Technically with a good tank you should be safe to have the light on, but it never hurts to be cautious, so at this point I switched the main light off and worked by the light of a dim torch, pointing at the ceiling to softly illuminate the whole room. If you wait a minute or two, your eyes will get accustomed to the low light.
  20. Take the top off the developing tank.
  21. Pour the pre-measured developer into the top of the tank.
  22. Tap the tank against the counter to dislodge bubbles.
  23. Agitate the tank by slowly inverting it and turning it back over for the first 15 seconds.
  24. Repeat every 30 seconds for the recommended time (usually 5 to 10 minutes).
  25. Pour the developer back into the jug.
  26. Pour stop bath into the now-empty developing tank.
  27. Agitate the stop bath and let stand for 1 minute.
  28. Pour out the stop bath and replace with fixer.
  29. Agitate the fixer for 15 seconds and then for 15 seconds once every minute for the allotted time.
  30. Pour the fixer back into its jug.
  31. Remove the lid of the tank and run water into the tank for 15 minutes.
  32. Add wetting agent to the water to expedite drying. If you are using washing up liquid, add a tiny drop to the water in the tank and let it sit for a minute.
  33. Remove the film from the tank.
  34. Gently pull the film off the reel.
  35. Attach a clip to the top of the film and hang it up. I hung mine from a clothes horse in the bath.
  36. Attach another 2 or 3 clips at the bottom, to prevent the film from curling as it dries.
  37. Hang the film in a dry, dust-free area.
  38. I don’t know how long it really takes them to dry, because I went to bed at this point. When I woke up, the film was dry and straight.
  39. Cut the film into appropriate length chunks for your scanner / envelopes / etc.
  40. Store dry negatives in plastic negative sleeves.
  41. Afterwards

  42. You can usually re-use the developer several times (although it takes longer each time). Store it in a clearly labelled bottle.
  43. You can re-use the fixer. Store it in a clearly labelled bottle.
  44. Rinse all of the “dirty” components in warm water and dry them thoroughly before putting them away in a clean place.

Tips & warnings

  • The optimal temperature for most developers is 20°C. Processing at a significantly higher or lower temperature will result in soft, easily damaged film or flat negatives. Some developers have a chart on the packaging to give the time correction if your room temperature is different from this.
  • Do not remove the top of the developing tank to look at the film until after the fixing stage.
  • Use storage bottles that are just the right size for the amount of developer you are mixing. Label a chemical with its name, date and dilution.
  • Begin timing each step as you pour chemicals into the developing tank, and start draining chemicals 10 seconds before the time is up.

How not to handle negatives

Since I started playing with 35mm photography a few weeks ago, I’ve been using Snappy Snaps near Clifton Down shopping centre. It came with the recommendation of a friend.

I’ve simply been asking them to develop the film into negatives and then I’ve been scanning the negatives myself. But I noticed that the first few rolls had scratches and dirt on them. Today when I went to pick up the latest roll, they were still finishing with it when I turned up, so I was able to watch.

The film came snaking out of the machine, and the guy working there yanked it out, treating it with all the care you’d think more appropriate for a roll of toilet paper. He put his fingers all over the film, making no attempt to handle it by the edges.

When he came to cut the film into strips, again he handled the film by touching it all over and cut it roughly. I noticed that one of his cuts went diagonally and took thin strips off the edges of two frames.

I’m no expert on film, but it seems pretty common sense to me that you should handle something as delicate as film with care, and not put fingerprints all over it. It’s not like it’s difficult to hold it by the edges, either.

Accredited professional photographer Glen Smith recommends treating negatives in the following way:

Negatives are particularly subject to damage. The smallest spot of dust, scratch or finger print will be enlarged many times when the negative is printed. Always handle negatives by the edges. A finger print on a negative can ruin a print. Negatives can be gently wiped to remove fingerprints but then there is the risk of scratches. Clean white cotton gloves are ideal if not always practical.

This is exactly what anyone with common sense would suggest as a sensible way of caring for negatives, too.

So now I know how my films get damaged during processing, and I think it’s safe to say I won’t be going to Snappy Snaps at Clifton Down again.

Update: There is an example of a scratched negative here on my photo blog.

Digital vs film photography

When digital cameras came out, people hailed it as a great revolution. You could now take thousands of holiday pictures and simply delete the ones you didn’t like. While this is certainly a bonus for some, it can encourage the photographer to be lazy about setting up the scene properly.

My first “real” camera was a digital one. I do try to think about the composition, the lighting and other things. But often I end up going with the trial-and-error approach, and sometimes for photos like this one I would take hundreds of photos with slightly different settings, just to get the perfect shot.

Since I’ve started using a 35mm SLR, I’ve noticed I think much more carefully when taking photos. Naturally, you think twice before pressing the shutter when you know that it will cost you 25p to do so. I tend to take only one or possibly two photos of the same subject, which makes me carefully consider everything.

This can only be a good thing!

The downside is that it can take a while to fill a roll of film, as I have to have up to  36 pieces of inspiration before I can get the film processed :( When I get my current film done, I’m looking forward to seeing some of the shots I’ve taken over the last few days.

Photography for beginners: Filters

Filters are pieces of glass that screw onto the front of your camera, and they can cause all sorts of unusual effects to your photos.

The good news is that you can buy filters cheaply from eBay (and of course, less cheaply from the high street, if that’s how you like to buy). Before buying, you’ll need to know the diameter of your camera’s lens. This should be written somewhere on the lens barrel or often around the glass on the front of the lens. Look for something like Φ58mm, and then check that your lens has a fine screw thread inside the rim. You’ll need this for the filters to screw into.

Of course each camera (and potentially each lens, if you have an SLR) may have a different lens diameter. If you’ve built up a large collection of filters and you plan on changing camera, never fear! You can buy adapter rings that allows you to use the “wrong” size filters on your new camera.

So let’s have a look at the various kinds of filter you can buy. This list is by no means exhaustive!

Ultraviolet (UV) These filters are designed to filter out UV light, which is invisible to the eye but can cause haze in outdoor photos.

As they are so cheap, it’s worth keeping on one the front of your camera permanently to prevent the lens from scratches.

Infrared (IR) IR filters remove all light except infrared light. It can give an eerie night-vision type effect, or give interesting photos of hot objects – such as the sun or a light bulb. Example.
Neutral Density (ND) ND filters simply cut down the amount of light entering the camera. Think of them as sunglasses for your camera. With an ND, you can set a longer exposure in daylight, or it allows you to keep the same shutter and open the aperture a bit wider for increased depth of field.ND filters come in a variety of darknesses. The most common types are ND2, ND4 and ND8, which allow through 1/2, 1/4 and 1/8 of the light respectively. If you’re not sure which to buy, try an ND4 first.
Circular polariser (CPL) Polarisers cut glare from reflective surfaces such as glass or water, and enrich the colour of the sky.
Soft focus / diffuser These filters add a gentle blur which can improve the appearance of skin in portraits, or add a slightly dreamy feel.
Graduated ND (GND) These filters are almost clear at one edge, and dark at the other edge, fading slowly across. You can use a graduated ND to darken and enrich the sky while leaving the foreground unaffected.
Star These filters cause points of light to appear as stars. You can get them in 4-point or 6-point varieties.
Skylight Skylight filters reduce the bluish tinge that can occur when shooting in daylight.
Graduated colours These are graduated filters with a colour. The most common ones are blue and orange – for emphasising the colours if the sky during the day, or at sunset.

These are the rules of thumb that I’ve come up with through experimentation. Hopefully they’ll be useful:

  • Always keep a UV filter (or at least some other type of filter) on the lens to prevent scratches
  • Consider replacing the UV filter with a Skylight filter when shooting outdoors to avoid a blueish cast
  • Use an ND filter when shooting in very bright light to avoid overexposed areas
  • Use a CPL or a GND when shooting landscapes with large areas of sky, to make the sky dark and rich
  • Consider using a diffuser when taking close portraits to soften skin tones
  • Any of the other filters are generally for novelty effects and are not subtle
  • Try to use only one or two filters at any one time. Every filter you add can decrease the quality of the lens system, and if you stack up three or more filters, you can usually see the rim of the filters in the photo.

So if you fancy trying something different, I recommend getting some cheap filters from eBay and seeing what interesting effects you can come up with.

Next time, I will write about basic photo editing on a computer.

Photography for beginners: Camera basics

Most cameras, even compacts, have at least some manual settings that you can adjust if you want to explore what your camera can do. As I mentioned in my introduction, the three most common settings to play with are the aperture, shutter speed and ISO.

What the settings do

Let me go into a little more detail about these.

Setting Low value (approx) High value (approx)
Aperture f/3 – large aperture

  • Lets lots of light in – good for dark situations where you don’t want to increase exposure time or ISO
  • Large aperture increases the depth of field (makes things go out of focus more quickly as they move towards or away from the camera
f/12 – small aperture

  • Can be used to reduce the amount of light entering the camera
  • You can also use an ND filter1 to reduce the amount of light
  • Very small aperture of f/10 or smaller can make points of light become star-shaped
  • Smaller apertures increase the depth of field so more of the photo is in focus
Shutter speed 1/4000s – short exposure or fast shutter

  • Use a fast shutter in bright sunlight
  • Use a fast shutter to freeze a point in action, e.g. sports
30s – long exposure or slow shutter

  • Exposures of longer than 1/250s will probably need a tripod or at least a place to rest the camera on a firm surface
  • If you are increasing the exposure simply to capture more light, consider making the aperture larger instead
  • If you want to take a long exposure of a moving object in bright light, make the aperture small and use an ND filter
ISO 100 – low ISO

  • Camera less sensitive to light
  • Use low ISO in bright conditions or for long exposures
1600 – high ISO

  • Camera more sensitive to light
  • Use in darker situations where you don’t want a long exposure
  • Be aware that ISO 800 or more can cause speckly “noise”. This can happen with digital or film!

[1] Don’t worry – we will discuss filters in a later post.

How you can use the settings

So know you know a little bit of the basics, I can say something about the different modes on your camera.

Taking full manual control of the camera can be a little daunting and can produce unpredictable results until you are familiar with the camera. But most cameras semi-automatic modes known as shutter priority (or S for short) and aperture priority (or A for short). This allows you to set one value, either the shutter or the aperture, and the camera picks the other settings for you. Full manual is usually known as M.

This table shows what combinations of settings are available on my camera.

ISO Shutter Aperture
Auto Either auto, or you choose Auto Auto
S You choose You choose Auto
A You choose Auto You choose
M You choose You choose You choose

Examples

The best way to explain when you should choose a particular mode and what settings you should choose is by example – and experimentation, of course.

Blurred photo of moving cars on a sunny day


To achieve blur we need a relatively long shutter speed, and the challenge is compensating for this long exposure so the picture isn’t overexposed.

Mode M
ISO Choose the lowest available ISO
Shutter Choose the shortest shutter speed that you can get away with while still achieving the desired blurred effect. Maybe 2-5 seconds.
Aperture Choose the smallest available aperture (largest F number)
Notes You will need a tripod, and probably an ND filter to limit the amount of light.
A passing car

A car on the M32

Blurred photo of moving cars at night


This is actually much easier than blurred photos by day as compensating for the long exposure in low light conditions is easy.

I recommend… I used…
Mode S S
ISO Choose the lowest available ISO 80
Shutter Choose a really long shutter speed – 10 or 30 seconds perhaps 10s
Aperture Auto Auto: f/10.9
Notes You will need a tripod, and possibly an ND filter to limit the amount of light for very long exposures
M32 by night

M32 by night

A closeup of a flower


The primary objective here is to open the aperture wide to decrease the depth of field and cause the background to be out of focus.

I recommend… I used…
Mode A A
ISO Choose a medium ISO like 200. Adjust according for the daylight conditions. 80
Shutter Auto Auto: 1/340s
Aperture Choose a fairly large aperture f/2.8
Notes
Daffodils

Daffodils outside St Paul's Church, Nuneaton

Sports and action


The object here is to keep the shutter as fast as possible, to freeze the action without blur.

I recommend… I used…
Mode S S
ISO Choose a medium ISO like 200. Adjust according for the daylight conditions. 80
Shutter Choose a fast shutter such as 1/400s or less, according to the speed of the object you want to freeze, and the light conditions. 1/450s
Aperture Auto Auto: f/7.2
Notes
M32

M32 near Bristol

The best thing you can do is practice, and try new things. Chances are you’ll go to your local motorway bridge and take tens of photos. Some will be good, and some will be awful. But you’ll quickly learn what works for your camera.

If you can’t remember what settings you used to take each picture, you can find out on your computer later. If you’re on Windows, right-click on the image file, click Properties and click on the Details tab. Scroll down to Camera you’ll see the details, like in the screenshot below.

Properties

This isn't my computer - Hana likes pink on hers

Next time, we will go over how to choose and use filters in your pictures.

Photography for beginners: Introduction

I started getting into photography a couple of years ago, and I have been helped along the way by a colleague and various books and websites. I’ve been learning about cameras continuously, and a few months after I got interested, my brother took an interest too.

I made some notes about basic camera settings for him, which he says he found very useful. So I’ve decided to try and write them up a bit more formally for my blog, in the hope that they will be useful for someone.

I wrote this guide mainly using my Fuji Finepix S9600, with the intention that my brother would use it with his Fuji Finepix S5800. Some of the numbers may vary, but pretty much all of the advice is transferable between digital cameras and even 35mm film cameras.

For someone who has never used manual settings on a camera before, there are a few terms you need to be familiar with.

Aperture Also known as F-stop. This is the size of the hole behind the main lens of the camera. It can be adjusted in size to let in more or less light.
Shutter speed Also known as the exposure. This is simply the amount of time that the camera exposes for. Long exposures mean blurry photos while short exposures can freeze action shots in time.
ISO This is the sensitivity of your camera to light.

In the next post, I’ll talk about the modes on your camera, and how they come into play with the three concepts I’ve just explained.

Upgrading to an SLR. Perhaps.

So I’ve been playing with my new camera, a 35mm Canon SLR. I rather like it.

For me, film will never win over digital for convenience, but I’ve enjoyed using the SLR so much that I’m strongly considering upgrading my Fuji Finepix S9600 to a digital SLR. Cost aside, there are several disadvantages in upgrading, believe it or not.

Pros Cons
  • Interchangeable lenses
  • Larger sensor
  • Lower noise
  • Optical viewfinder
  • Optical viewfinder [1]
  • Inability to use the LCD for taking photos [2]

[1] It’s handy to have information in an OSD
[2] The S9600 has a really handy flip-out LCD for those awkward shots

So it looks like buying a digital SLR will bring me higher quality photos, albeit at a cost of convenience. Hmm. I’ll have to consider this carefully.

Memories of Korea

I recently inherited a large box of slides from my late grandfather. To my delight, I found that it includes photographs he took in Korea in 1955 that paint a unique picture of post-war civilian life.

I was so fascinated that I built a website to showcase them:

http://www.memoriesofkorea.com